Luca Giordano
Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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Luca Giordano The Rape of Lucretia oil painting


The Rape of Lucretia
Luca Giordano, The Rape of Lucretia (Oil on canvas, 1663). cjr
Painting ID::  81714 		Luca Giordano
The Rape of Lucretia
Luca Giordano, The Rape of Lucretia (Oil on canvas, 1663). cjr
   
   
     
Luca Giordano The Last Supper by Luca Giordano oil painting


The Last Supper by Luca Giordano
Oil on Canvas 36 1/2 x 21" cjr
Painting ID::  85941 		Luca Giordano
The Last Supper by Luca Giordano
Oil on Canvas 36 1/2 x 21" cjr
   
   
     
Luca Giordano The Last Supper oil painting


The Last Supper
Oil on Canvas 36 1/2 x 21" cyf
Painting ID::  90125 		Luca Giordano
The Last Supper
Oil on Canvas 36 1/2 x 21" cyf
   
   
     
Luca Giordano A miracle by Saint Benedict oil painting


A miracle by Saint Benedict
1680(1680) Medium oil on canvas Accession number 987-3-6 cyf
Painting ID::  91043 		Luca Giordano
A miracle by Saint Benedict
1680(1680) Medium oil on canvas Accession number 987-3-6 cyf
   
   
     
Luca Giordano Marriage of the Virgin oil painting


Marriage of the Virgin
circa 1688(1688) Medium oil on canvas cyf
Painting ID::  96097 		Luca Giordano
Marriage of the Virgin
circa 1688(1688) Medium oil on canvas cyf
   
   
     
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     Luca Giordano
     Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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